Kathy Butterly, ‘#18’, 2020, Drawing, Collage or other Work on Paper, Nail polish on catalogue paper, Shoshana Wayne Gallery
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Kathy Butterly

#18, 2020

Nail polish on catalogue paper
9 11/16 × 8 1/2 in
24.6 × 21.6 cm
.
Contact For Price
Location
Los Angeles
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About the work
Medium
Signature
Hand-signed by artist, Back
Frame
Included
Kathy Butterly
American, b. 1963
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Sculptor Kathy Butterly thinks of herself as a painter “who happens to work with clay, three-dimensionally.” She is known for abstract ceramic vessels ranging in size from small to nearly five feet tall, whose twisting forms with pinched openings resemble “shrunken hybrids of alien life forms and domestic objects from which something is oozing, leaking, or dipping,” as described by critic John Yau. Evoking the crumpled ceramics of George Ohr, these playful sculptures begin as symmetrical cups or vases, which she prods into a unique biomorphic shapes. Butterly considers some pieces to be self portraits—Fall into Spring (2004) for example, expresses how she, a downtown New Yorker, felt after September 11th—while others engage the quotidian, inspired by baking, flea markets, cartoon and horror film effects, and the like.

Kathy Butterly, ‘#18’, 2020, Drawing, Collage or other Work on Paper, Nail polish on catalogue paper, Shoshana Wayne Gallery
Save
Save
View
View in room
Share
Share
About the work
Medium
Signature
Hand-signed by artist, Back
Frame
Included
Kathy Butterly
American, b. 1963
Follow

Sculptor Kathy Butterly thinks of herself as a painter “who happens to work with clay, three-dimensionally.” She is known for abstract ceramic vessels ranging in size from small to nearly five feet tall, whose twisting forms with pinched openings resemble “shrunken hybrids of alien life forms and domestic objects from which something is oozing, leaking, or dipping,” as described by critic John Yau. Evoking the crumpled ceramics of George Ohr, these playful sculptures begin as symmetrical cups or vases, which she prods into a unique biomorphic shapes. Butterly considers some pieces to be self portraits—Fall into Spring (2004) for example, expresses how she, a downtown New Yorker, felt after September 11th—while others engage the quotidian, inspired by baking, flea markets, cartoon and horror film effects, and the like.

Kathy Butterly

#18, 2020

Nail polish on catalogue paper
9 11/16 × 8 1/2 in
24.6 × 21.6 cm
.
Contact For Price
Location
Los Angeles
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
Other works from Kathy Butterly: Yellow Haze
Other works by Kathy Butterly
Other works from Shoshana Wayne Gallery