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Kathy Butterly

Rabbit Hole, 2011

Clay, Glaze
location
Boca Raton
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About the work
Boca Raton Museum of Art
Boca Raton
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Butterly has exhibited widely; her work is in the collections of the Museum of Fine Arts, Boston, …

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Butterly has exhibited widely; her work is in the collections of the Museum of Fine Arts, Boston, MA, Museum of Fine Arts, Houston, TX, Detroit Institute of Arts, Detroit, MI, Museum of Modern Art, New York, NY, Carnegie Museum of Art, Pittsburgh, PA, and the Smithsonian Institution, Washington, DC.

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Courtesy of the Artist.
Kathy Butterly
American , b. 1963
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Sculptor Kathy Butterly thinks of herself as a painter “who happens to work with clay, three-dimensionally.” She is known for abstract ceramic vessels ranging in size from small to nearly five feet tall, whose twisting forms with pinched openings resemble “shrunken hybrids of alien life forms and domestic objects from which something is oozing, leaking, or dipping,” as described by critic John Yau. Evoking the crumpled ceramics of George Ohr, these playful sculptures begin as symmetrical cups or vases, which she prods into a unique biomorphic shapes. Butterly considers some pieces to be self portraits—Fall into Spring (2004) for example, expresses how she, a downtown New Yorker, felt after September 11th—while others engage the quotidian, inspired by baking, flea markets, cartoon and horror film effects, and the like.

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About the work
Boca Raton Museum of Art
Boca Raton
Follow

Butterly has exhibited widely; her work is in the collections of the Museum of Fine Arts, Boston, …

Read more

Butterly has exhibited widely; her work is in the collections of the Museum of Fine Arts, Boston, MA, Museum of Fine Arts, Houston, TX, Detroit Institute of Arts, Detroit, MI, Museum of Modern Art, New York, NY, Carnegie Museum of Art, Pittsburgh, PA, and the Smithsonian Institution, Washington, DC.

Image rights
Courtesy of the Artist.
Kathy Butterly
American , b. 1963
Follow

Sculptor Kathy Butterly thinks of herself as a painter “who happens to work with clay, three-dimensionally.” She is known for abstract ceramic vessels ranging in size from small to nearly five feet tall, whose twisting forms with pinched openings resemble “shrunken hybrids of alien life forms and domestic objects from which something is oozing, leaking, or dipping,” as described by critic John Yau. Evoking the crumpled ceramics of George Ohr, these playful sculptures begin as symmetrical cups or vases, which she prods into a unique biomorphic shapes. Butterly considers some pieces to be self portraits—Fall into Spring (2004) for example, expresses how she, a downtown New Yorker, felt after September 11th—while others engage the quotidian, inspired by baking, flea markets, cartoon and horror film effects, and the like.

Kathy Butterly

Rabbit Hole, 2011

Clay, Glaze
location
Boca Raton
Want to sell a work by this artist? Consign with Artsy.
Other works from Regarding George Ohr: Contemporary Ceramics in the Spirit of the Mad Potter
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