Max Ernst, ‘PEGGY GUGGENHEIM, 1970's, Signed, 3x5 in. Index Card, PSA/DNA Certified.’, 1970's, VINCE fine arts/ephemera
Max Ernst, ‘PEGGY GUGGENHEIM, 1970's, Signed, 3x5 in. Index Card, PSA/DNA Certified.’, 1970's, VINCE fine arts/ephemera

peggy GUGGENHEIM
"Peggy Guggenheim", 1970's Signed (green ink), 3x5 in. Index Card, with PSA/DNA Certification Card, notes on verso by previous owner in pencil.

Notes:
American art collector, bohemian and socialite. Born to the wealthy New York City Guggenheim family, she was the daughter of Benjamin Guggenheim, who went down with the Titanic in 1912, and the niece of Solomon R. Guggenheim, who would establish the Solomon R. Guggenheim Foundation. Peggy Guggenheim created a noted art collection in Europe and America primarily between 1938 and 1946. She exhibited this collection as she built it and in 1949, settled in Venice, where she lived and exhibited her collection for the rest of her life.

Signature: Signed- PSA/DNA Certification Card #AD65993, https://www.psacard.com/cert/ad65993/

Private Collection, NY

About Max Ernst

Closely associated with Dada and Surrealism, Max Ernst made paintings, sculptures, and prints depicting fantastic, nightmarish images that often made reference to anxieties originating in childhood. Ernst demonstrated a profound interest in Freudian psychoanalysis, which is apparent in his exploration of Automatism and his invention of the Frottage technique. The artist’s psychoanalytic leanings are evident in his iconic 1923 work Pietà, or Revolution by Night, in which Ernst substitutes the image of Mary cradling the body of Christ with a depiction of the artist himself held by his father. Much of the artist’s work defied societal norms, Christian morality, and the aesthetic standards of Western academic art.

French-American, b. Germany, 1891-1976, Brühl, nr Cologne, Germany

About Arshile Gorky

Arshile Gorky was one of the last great Surrealist painters and a major influence on (and early figure in) Abstract Expressionism. After emigrating to the U.S. in 1920, he devoted himself to apprenticeships in the style of other artists before developing his own personal vision. Through his friendships with Surrealist André Breton and painter Roberto Matta, he was introduced to automatic drawing and biomorphic imagery. Gorky's innovative, explosive landscapes used an abstract vocabulary to convey memories of his Armenian childhood alongside direct observations of nature.

Armenian-American, 1904-1948, Vosdanig Adoian, Armenia, based in New York, New York

About Jackson Pollock

Major Abstract Expressionist Jackson Pollock, dubbed "Jack the Dripper" by Time magazine in 1956, is best known for his large "action" or drip paintings of 1947–52, formed by pouring and manipulating liquid paint atop canvases set on the floor. A wholly original, rule-shattering figure in American art, Pollock inspired Frank Stella, Richard Serra, and the Color Field painters. Pollock's early Surrealist works of personal symbols and abstract figures show the influence of José Clemente Orozco, David Alfaro Siqueiros, Pablo Picasso, Paul Klee, Joan Miró, and Max Ernst, as well as his experiences with Jungian psychotherapy.

American, 1912-1956, Cody, Wyoming, based in East Hampton, New York

About Marcel Duchamp

Associated with the Dada, Surrealist, Cubist, and Futurist movements, Marcel Duchamp radically subverted conventional practices of artmaking and display, challenging such weighty notions as the hand of the artist and the sanctity of the art object. Duchamp’s depiction of dynamic Cubist forms in Nude Descending a Staircase No. 2 (1912) established him as a leading member of the international avant-garde. In 1913 Duchamp created Bicycle Wheel, which is considered the first of his famous readymades—minimally altered objects that are elevated to the status of art simply through the designation of the artist. Particularly in his readymades, Duchamp placed unprecedented emphasis on the artistic concept as paramount over craftsmanship or aesthetics, a guiding principle that has proved hugely influential to 20th-century artistic practice.

French, 1887-1968, Blainville-Crevon Seine-Maritime, France

Group Shows

2018
The Museum Show: Works that were exhibited, owned, sold by - or about - museums (including the gift shops!!!)
2017
SIDNEY JANIS GALLERY HISTORIC POSTERS, INVITATIONS & ANNOUNCEMENTS
2017
RARE ART BOOKS
2017
Des Moines Art Center, 
Des Moines, IA, USA,
THE IRRATIONAL AND THE MARVELOUS
2016
London,
New Tate Modern Switch House: Extension and Installation
View Artist's CV

About Mark Rothko

Mark Rothko’s search to express profound emotion through painting culminated in his now-signature compositions of richly colored squares filling large canvases, evoking what he referred to as “the sublime.” One of the pioneers of Color Field Painting, Rothko’s abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewers’ communion with the canvas in a controlled setting. “I'm not an abstractionist,” he once said. “I'm interested only in expressing basic human emotions: tragedy, ecstasy, doom, and so on.” His “Rothko Chapel Paintings” (1964-1967), 14 wall-sized monochromatic black paintings installed in a non-denominational church in Houston, Texas, represent the realization of Rothko’s desire that his work be viewed in close quarters.

American, 1903-1970, Dvinsk, Russia, based in New York, New York

About Man Ray

Born Emmanuel Radnitzky, Man Ray adopted his pseudonym in 1909 and would become one of the key figures of Dada and Surrealism. One of the few American artists associated with these movements, Ray was exposed to European avant-garde artists like Pablo Picasso and Georges Braque at Alfred Stieglitz’s New York gallery and at the 1913 Armory Show. Ray’s photographic works are considered his most profound achievement, particularly his portraits, fashion photographs, and technical experiments with the medium, such as solarization and rayographs (an eponym for his photograms), which were celebrated by the Surrealists. “I do not photograph nature,” he once said. “I photograph my visions.” In 1915 he was introduced to Marcel Duchamp, who would become a lifelong friend and influence; he subsequently moved to Paris, practicing there for over 20 years.

American, 1890-1976, Philadelphia, Pennsylvania

About Yves Tanguy

A glimpse of Giorgio de Chirico’s painting Child’s Skull (1914) through a gallery window so profoundly affected Yves Tanguy, it prompted him to pick up a paintbrush. Self-taught, he befriended and drew inspiration from André Breton (and later Alexander Calder), joining the Surrealist movement and consistently representing one of the purest strains of the style. Initially, his love of nature, especially the sea, led Tanguy to paint hazy sea creatures and aquatic vegetation, yet he is best known for his sparse, abstract landscapes populated by biomorphic shapes and painted in somber hues. Though often horizonless, some of his landscapes hint at the rocky coast of his native Brittany, with its Neolithic structures, and at geological formations encountered on trips to Tunisia and the American Southwest. Solemnity permeates his work, in contrast to the playfulness expressed by many of his fellow Surrealists.

French, 1900-1955, Paris, France

Group Shows

2017
London,
Prière de Toucher - Homage to Maeght

Fair History on Artsy

2013
Gallery Wendi Norris at Expo Chicago

About Wassily Kandinsky

An early champion of abstract painting, Wassily Kandinsky is known for his lyrical style and innovative theories on nonfigurative art. In his 1910 treatise Concerning the Spiritual In Art, Kandinsky made famous his belief that abstract colors and forms can be used to express the “inner life” of the artist. Kandinsky taught this and other lessons at the Bauhaus, the historic Weimar institution that brought together artists including Joseph Albers, Lazlo Maholy-Nagy, and Piet Mondrian, amongst others. Kandinsky had a strong interest in the relationship between art and classical music, this theme apparent in his orchestral Composition VI (1913), where colliding forms and colors move across the canvas. In 1911 Kandinsky played a central role in organizing Der Blaue Reiter, a group of artists named in part after Kandinsky’s favorite color, blue.

Russian, 1866-1944, Moscow, Russia, based in Neuilly-sur-Seine, France