"Apocalypse", Mini portfolio cards of 5 silkscreen prints from the Tony Shafrazi Gallery NY with description card, with original metallic sticker on orange card envelope, printed by Fleetwood Litho.
Condition:
Near MINT
Provenance:
Private Collection, NY

Medium
Condition
Near MINT
Signature
Not signed, not signed
Frame
Not included
Series
"Apocalypse"
Publisher
Tony Shafrazi Gallery, NYC

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

High auction record
$6.5m, Sotheby's, 2017
Blue-chip
Represented by internationally recognized galleries.
Collected by a major museum
Museum of Modern Art (MoMA)
Selected exhibitions
2019
Keith Haring - Party of Life / GenevaOpera Gallery
Keith HaringCentre for Fine Arts (BOZAR)
2014
Keith Haring: The Political Linede Young Museum
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"Apocalypse", Promo Mini (5) Card Folio, Shafrazi Gallery NY, 1985

Lithograph on card stock
4 3/4 × 5 11/40 in
12.1 × 13.4 cm
.
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"Apocalypse", Mini portfolio cards of 5 silkscreen prints from the Tony Shafrazi Gallery …

Medium
Condition
Near MINT
Signature
Not signed, not signed
Frame
Not included
Series
"Apocalypse"
Publisher
Tony Shafrazi Gallery, NYC

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

High auction record
$6.5m, Sotheby's, 2017
Blue-chip
Represented by internationally recognized galleries.
Collected by a major museum
Museum of Modern Art (MoMA)
Selected exhibitions (3)
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