Keith Haring, ‘Icons 4.’, 1990, Rhodes
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Keith Haring

Icons 4., 1990

Screenprint.
21 1/10 × 25 in
53.5 × 63.5 cm
Edition of 250
This is part of a limited edition set.
Sold
Location
London
Want to sell a work by this artist? Consign with Artsy.
About the work
Rhodes
London

Screenprint with embossing in colours, on Arches Cover paper, with the artist's Estate stamp …

Medium
Print
Signature
Hand-signed by artist
Frame
Included
Publisher
Tony Shafrazi.
Keith Haring
American, 1958–1990
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Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

Keith Haring, ‘Icons 4.’, 1990, Rhodes
Save
Save
View
View in room
Share
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About the work
Rhodes
London

Screenprint with embossing in colours, on Arches Cover paper, with the artist's Estate stamp and signature of executor in pencil on the reverse, numbered from the edition of 250 published by Tony Shafrazi Editions, Inc., New York, with their blindstamp (printed by Studio Heinrici). Framed.
63.5 x 53.5cm

Medium
Print
Signature
Hand-signed by artist
Frame
Included
Publisher
Tony Shafrazi.
Keith Haring
American, 1958–1990
Follow

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

Keith Haring

Icons 4., 1990

Screenprint.
21 1/10 × 25 in
53.5 × 63.5 cm
Edition of 250
This is part of a limited edition set.
Sold
Location
London
Want to sell a work by this artist? Consign with Artsy.
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