P
Phillips

Property Subject to VAT Section 2: 20% (see Conditions of Sale for further information)

Medium
Signature
Signed, dated '6/28/90' and numbered 200/250 by Julia Gruen (Executor for the Keith Haring Estate) in pencil on the Estate stamp on the …

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

High auction record
$6.5m, Sotheby's, 2017
Blue-chip
Represented by internationally recognized galleries.
Collected by a major museum
Museum of Modern Art (MoMA)
Selected exhibitions
2019
Keith Haring - Party of Life / GenevaOpera Gallery
Keith HaringCentre for Fine Arts (BOZAR)
2014
Keith Haring: The Political Linede Young Museum
View all

Icons: one plate, 1990

Screenprint in colours with embossing, on Arches Cover paper, the full sheet.
21 × 25 in
53.4 × 63.6 cm
Edition 200/250
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P
Phillips

Property Subject to VAT Section 2: 20% (see Conditions of Sale for further information)

Medium
Signature
Signed, dated '6/28/90' and numbered 200/250 by Julia Gruen (Executor for the Keith Haring Estate) in pencil on the Estate stamp on the …

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

High auction record
$6.5m, Sotheby's, 2017
Blue-chip
Represented by internationally recognized galleries.
Collected by a major museum
Museum of Modern Art (MoMA)
Selected exhibitions (3)
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