Keith Haring, ‘Keith Haring: 1988, The Michael Cohn Gallery, San Francisco, June-July’, 1988, Rago/Wright
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Keith Haring

Keith Haring: 1988, The Michael Cohn Gallery, San Francisco, June-July, 1988

Exhibition catalogue with marker drawing
12 × 9 in
30.5 × 22.9 cm
Edition of 5000
Bidding closed
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About the work
RW
Rago/Wright

From an edition of 5000 (an unknown number were signed)

Printer: Martin Lawrence Limited Editions, …

Signature
Signed and illustrated
Keith Haring
American, 1958–1990
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Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

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Keith Haring, ‘Keith Haring: 1988, The Michael Cohn Gallery, San Francisco, June-July’, 1988, Rago/Wright
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View
View in room
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About the work
RW
Rago/Wright

From an edition of 5000 (an unknown number were signed)

Printer: Martin Lawrence Limited Editions, Inc., California

Provenance: Private Collection

Signature
Signed and illustrated
Keith Haring
American, 1958–1990
Follow

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

Keith Haring

Keith Haring: 1988, The Michael Cohn Gallery, San Francisco, June-July, 1988

Exhibition catalogue with marker drawing
12 × 9 in
30.5 × 22.9 cm
Edition of 5000
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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