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Lot 180

Original 1980s announcement for two Keith Haring exhibitions:
Keith Haring at Tony Shafrazi Gallery, October 26 to November 30 and Leo Castelli Gallery October 26 to November 23, New York, 1985.

Front image features Haring’s “Untitled”, 1984, from the Eli Broad Family Foundation.

Offset printed gallery announcement; …

Medium
Condition
Very good for its age
Signature
Not signed
Frame
Not included

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

High auction record
$6.5m, Sotheby's, 2017
Blue-chip
Represented by internationally recognized galleries.
Collected by a major museum
Museum of Modern Art (MoMA)
Selected exhibitions
2019
Keith Haring - Party of Life / GenevaOpera Gallery
Keith HaringCentre for Fine Arts (BOZAR)
2014
Keith Haring: The Political Linede Young Museum
View all

Keith Haring at Tony Shafrazi & Leo Castelli Gallery 1985 (announcement), 1985

Offset printed gallery announcement
4 × 6 in
10.2 × 15.2 cm
.
$474
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L
Lot 180

Original 1980s announcement for two Keith Haring exhibitions:
Keith Haring at Tony Shafrazi Gallery, …

Medium
Condition
Very good for its age
Signature
Not signed
Frame
Not included

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

High auction record
$6.5m, Sotheby's, 2017
Blue-chip
Represented by internationally recognized galleries.
Collected by a major museum
Museum of Modern Art (MoMA)
Selected exhibitions (3)
Other works by Keith Haring
Other works from Lot 180
Related works