Keith Haring
Keith Haring Lucky Strike white , 1987
In 1987, the cigarette company Lucky Strike commissioned Keith Haring to design a suite of …
Vintage original Keith Haring Lucky Strike Screen-print, 1987:
"The advertising posters for …
Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.
In 1987, the cigarette company Lucky Strike commissioned Keith Haring to design a suite of advertisements for the brand. Haring created nine drawings for Lucky Strike, from which the company selected five to be printed as limited edition silkscreen prints. Three of the designs, featuring the street artist’s signature …
Vintage original Keith Haring Lucky Strike Screen-print, 1987:
"The advertising posters for Lucky Strike cigarettes reflect the popular Montreux posters from 1983. According to the imprint, they were commissioned by Lucky Strike Switzerland, arranged by the art consultant Pierre Keller, who at the time taught at …
Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.
