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Lot 180

Keith Haring Resist in Concert! 1988:
Vintage original Keith Haring illustrated 1988 poster for a Refuse and Resist produced concert December 4, 1988 at New York's Palladium nightclub. A rare Haring activist poster produced during the artist's lifetime. Caption reads:
"A Concert and Festival for Everyone …

Medium
Condition
Good to Very Good
Signature
Printed signature
Frame
Not included
Series
Keith Haring Activist Poster

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

High auction record
$6.5m, Sotheby's, 2017
Blue-chip
Represented by internationally recognized galleries.
Collected by a major museum
Museum of Modern Art (MoMA)
Selected exhibitions
2019
Keith Haring - Party of Life / GenevaOpera Gallery
Keith HaringCentre for Fine Arts (BOZAR)
2014
Keith Haring: The Political Linede Young Museum
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Keith Haring Resist in Concert! poster 1988, 1988

Offset lithograph
29 × 23 in
73.7 × 58.4 cm
.
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L
Lot 180

Keith Haring Resist in Concert! 1988:
Vintage original Keith Haring illustrated 1988 poster for a …

Medium
Condition
Good to Very Good
Signature
Printed signature
Frame
Not included
Series
Keith Haring Activist Poster

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

High auction record
$6.5m, Sotheby's, 2017
Blue-chip
Represented by internationally recognized galleries.
Collected by a major museum
Museum of Modern Art (MoMA)
Selected exhibitions (3)
More from this series
View series
Other works by Keith Haring
Other works from Lot 180