Keith Haring, ‘NOTE: Reminder, artwork has added grafitti lower center (not Haring's hand).  Literature Keith Haring: Subway Drawings, Galerie Nikolaus Sonne & Edition Achenbach, Berlin, 1990, p. 65 (illustrated)  fiber glass sheet size: 49 x 68"’, Martin Lawrence Galleries

NOTE: Reminder, artwork has added grafitti lower center (not Haring's hand).

Literature
Keith Haring: Subway Drawings, Galerie Nikolaus Sonne & Edition Achenbach, Berlin, 1990, p. 65
(illustrated)
fiber glass sheet size: 49 x 68"

Image rights: Martin Lawrence Galleries

About Keith Haring

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

American, 1958-1990, Reading, Pennsylvania, based in New York, New York