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Keith Haring

Paris Review, 1989

Screenprint
24 × 32 in
61 × 81.3 cm
Edition of 200
This is part of a limited edition set.
Contact For Price
Location
Miami Beach, New York, Beverly Hills, London
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
About the work
Fine Art Mia
Miami Beach, New York, +2 more
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On wove paper. Framed dimensions 26.25 x 34.25 inches (66.7 x 87.0 cm)

On wove paper. Framed dimensions 26.25 x 34.25 inches (66.7 x 87.0 cm)

Medium
Print
Signature
Signed numbered 162/200 and dated '89 in pencil lower left.
Publisher
The Paris Review, New York.
Keith Haring
American, 1958–1990
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Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

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About the work
Fine Art Mia
Miami Beach, New York, +2 more
Follow

On wove paper. Framed dimensions 26.25 x 34.25 inches (66.7 x 87.0 cm)

On wove paper. Framed dimensions 26.25 x 34.25 inches (66.7 x 87.0 cm)

Medium
Print
Signature
Signed numbered 162/200 and dated '89 in pencil lower left.
Publisher
The Paris Review, New York.
Keith Haring
American, 1958–1990
Follow

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

Keith Haring

Paris Review, 1989

Screenprint
24 × 32 in
61 × 81.3 cm
Edition of 200
This is part of a limited edition set.
Contact For Price
Location
Miami Beach, New York, Beverly Hills, London
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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