Keith Haring, ‘Pop Shop IV: one plate’, 1989, Phillips
Save
Save
View
View in room
Share
Share

Keith Haring

Pop Shop IV: one plate, 1989

Screenprint in colors, on wove paper, with full margins.
13 1/2 × 16 1/2 in
34.3 × 41.9 cm
Edition 7/200 + 25AP
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
About the work
Bibliography
P
Phillips

I. 11 1/4 x 14 3/8 in. (28.6 x 36.5 cm)
S. 13 1/2 x 16 1/2 in. (34.3 x 41.9 cm)

Medium
Print
Signature
Signed, dated and numbered, 7/200 in pencil (there were also 25 artist's proofs), published by Martin Lawrence Editions Ltd., New York, …
Keith Haring
American, 1958–1990
Follow

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

Keith Haring, ‘Pop Shop IV: one plate’, 1989, Phillips
Save
Save
View
View in room
Share
Share
About the work
Bibliography
P
Phillips

I. 11 1/4 x 14 3/8 in. (28.6 x 36.5 cm)
S. 13 1/2 x 16 1/2 in. (34.3 x 41.9 cm)

Medium
Print
Signature
Signed, dated and numbered, 7/200 in pencil (there were also 25 artist's proofs), published by Martin Lawrence Editions Ltd., New York, …
Keith Haring
American, 1958–1990
Follow

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

Keith Haring

Pop Shop IV: one plate, 1989

Screenprint in colors, on wove paper, with full margins.
13 1/2 × 16 1/2 in
34.3 × 41.9 cm
Edition 7/200 + 25AP
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
More from this series
View series
Other works by Keith Haring
Related works
Most Similar