Keith Haring, ‘Pyramid’, 1989, Schellmann Art
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Keith Haring

Pyramid, 1989

Anodized aluminum plate
41 × 56 7/10 × 1 in
104.1 × 144 × 2.5 cm
Edition of 30
This is part of a limited edition set.
On hold
Location
Munich
Want to sell a work by this artist? Consign with Artsy.
About the work
Schellmann Art
Munich

Anodized aluminum plate, 104 x 144 x 3 cm (41 x 56.7 x 1 in).

Medium
Sculpture
Signature
Signature and number etched on verso.
Keith Haring
American, 1958–1990
Follow

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

Keith Haring, ‘Pyramid’, 1989, Schellmann Art
Save
Save
View
View in room
Share
Share
About the work
Schellmann Art
Munich

Anodized aluminum plate, 104 x 144 x 3 cm (41 x 56.7 x 1 in).

Medium
Sculpture
Signature
Signature and number etched on verso.
Keith Haring
American, 1958–1990
Follow

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

Keith Haring

Pyramid, 1989

Anodized aluminum plate
41 × 56 7/10 × 1 in
104.1 × 144 × 2.5 cm
Edition of 30
This is part of a limited edition set.
On hold
Location
Munich
Want to sell a work by this artist? Consign with Artsy.
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