Keith Haring, ‘Rodeo Dolphin; Crowd’, 1983, Sworders
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Keith Haring

Rodeo Dolphin; Crowd, 1983

Two lithographs
18 7/10 × 13 in
47.5 × 33 cm
Edition of 300
Bidding closed
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About the work
S
Sworders

each from the limited edition of 300, from the 'Lucio Amelio Gallery Portfolio', published …

Medium
Print
Keith Haring
American, 1958–1990
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Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

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Keith Haring, ‘Rodeo Dolphin; Crowd’, 1983, Sworders
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About the work
S
Sworders

each from the limited edition of 300, from the 'Lucio Amelio Gallery Portfolio', published by Lucio Amelio Gallery, Napoli, on wove paper, each with full margins each sheet 47.5 x 33cm, both framed (2)

Medium
Print
Keith Haring
American, 1958–1990
Follow

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

Keith Haring

Rodeo Dolphin; Crowd, 1983

Two lithographs
18 7/10 × 13 in
47.5 × 33 cm
Edition of 300
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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