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Haring’s image of a man-eating monster is likely influenced by the artist Hieronymus Bosch as Haring often cited Bosch’s The Garden of Earthly Delights, 1503-1504 as a profound influence on his art, along with Dante’s Inferno. It also recalls the Cyclops of the Odyssey as well as Goya’s and Ruben’s depictions of …

Medium
Signature
Signed by the artist.
Image rights
Martin Lawrence Galleries

Keith Haring rose to prominence in 1980s New York within the East Village art scene alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer. He bridged the gap between the art world and the street, graffiting city subways and sidewalks before committing to a studio practice. Haring united the appeal of cartoons with the raw energy of Art Brut artists such as Jean DuBuffet as he developed a distinct pop-graffiti aesthetic that comprised energetic, boldly outlined figures against solid or patterned backdrops. His major themes included exploitation, subjugation, drug abuse, and the threat of nuclear holocaust; Haring boldly engaged with social issues, especially after receiving an AIDS diagnosis in 1987. Today, his work sells for seven figures at auction and has been the subject of solo shows at the Brooklyn Museum, the San Francisco Museum of Modern Art, and the Albertina Museum in Vienna, among other institutions.

High auction record
US$6.5m, Sotheby's, 2017
Blue-chip
Represented by internationally recognized galleries.
Collected by a major museum
Museum of Modern Art (MoMA)
Selected exhibitions
2019
Keith Haring - Party of Life / GenevaOpera Gallery
Keith HaringCentre for Fine Arts (BOZAR)
2014
Keith Haring: The Political Linede Young Museum
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Untitled, 1982 (Cannibal), 1982

Sumi ink on paper; signed and dated 'SEPT. 21 - 82 + K.Haring' on verso
38 1/2 × 50 in
97.8 × 127 cm
.
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Location
New York , Las Vegas, San Francisco , New Orleans , Dallas, Costa Mesa , La Jolla , Maui, Schaumburg
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Haring’s image of a man-eating monster is likely influenced by the artist Hieronymus Bosch as …

Medium
Signature
Signed by the artist.
Image rights
Martin Lawrence Galleries

Keith Haring rose to prominence in 1980s New York within the East Village art scene alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer. He bridged the gap between the art world and the street, graffiting city subways and sidewalks before committing to a studio practice. Haring united the appeal of cartoons with the raw energy of Art Brut artists such as Jean DuBuffet as he developed a distinct pop-graffiti aesthetic that comprised energetic, boldly outlined figures against solid or patterned backdrops. His major themes included exploitation, subjugation, drug abuse, and the threat of nuclear holocaust; Haring boldly engaged with social issues, especially after receiving an AIDS diagnosis in 1987. Today, his work sells for seven figures at auction and has been the subject of solo shows at the Brooklyn Museum, the San Francisco Museum of Modern Art, and the Albertina Museum in Vienna, among other institutions.

High auction record
US$6.5m, Sotheby's, 2017
Blue-chip
Represented by internationally recognized galleries.
Collected by a major museum
Museum of Modern Art (MoMA)
Selected exhibitions (3)
Other works by Keith Haring
Other works from Martin Lawrence Galleries
Related works