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Keith Haring

Untitled, October-1982

Enamel and Day-Glo paint on metal
90 1/2 × 72 3/8 in
229.9 × 183.8 cm
Location
San Francisco
Want to sell a work by this artist? Consign with Artsy.
About the work
Exhibition history
de Young Museum
San Francisco
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Collection: Keith Haring Foundation

Collection: Keith Haring Foundation

Medium
Painting
Image rights
© 2014, Keith Haring Foundation Image provided by: de Young FAMSF
Keith Haring
American, 1958–1990
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Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

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View in room
Share
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Save
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View
View in room
Share
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About the work
Exhibition history
de Young Museum
San Francisco
Follow

Collection: Keith Haring Foundation

Collection: Keith Haring Foundation

Medium
Painting
Image rights
© 2014, Keith Haring Foundation Image provided by: de Young FAMSF
Keith Haring
American, 1958–1990
Follow

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

Keith Haring

Untitled, October-1982

Enamel and Day-Glo paint on metal
90 1/2 × 72 3/8 in
229.9 × 183.8 cm
Location
San Francisco
Want to sell a work by this artist? Consign with Artsy.
Other works by Keith Haring
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Comic/Cartoon
Graffiti and Street Art