Keith Haring, ‘Untitled’, 1984, Opera Gallery

New York, Brooklyn Academy of Music, Secret Pastures, Bill T. Jones / Arnie Zane Dance Company, November, 1984

Rivoli, Castello di Rivoli, Museo d’Arte Contemporanea, Keith Haring, exhibition catalogue, February-April 1994, ill. p. 239

Left Panel:
Artist’s Studio
Bill T. Jones
Private collection, New York
Private collection, Rotterdam
Private collection, New York
Galleria Seno, Milan
Private collection, Italy
Private collection, New York

Right Panel:
Artist’s Studio
Bill T. Jones
Private collection, New York
Private collection, Switzerland
Private collection, New York
Private collection, New York

About Keith Haring

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

American, 1958-1990, Reading, Pennsylvania, based in New York, New York