Keith Haring, ‘Untitled ’, 1984, Dope! Gallery
Keith Haring, ‘Untitled ’, 1984, Dope! Gallery
Keith Haring, ‘Untitled ’, 1984, Dope! Gallery
Keith Haring, ‘Untitled ’, 1984, Dope! Gallery
Keith Haring, ‘Untitled ’, 1984, Dope! Gallery

1984 Chalk on black paper from New York billboards BIBLIOGRAPHY: - 31 subway drawing, by Jeffrey Deitch. (For similar works) ;
PROVENANCE : - Berenbaum gallery, Miami - Collection privée Mr Foster, Washington.
The Haring foundation doesn't give any new COAs since 2012. Contacted about a work from the exact same provenance, their lawyer answered that there is no issue with the sale of the mentionned work.
Good general condition (see pictures) ;
105 x 70 cm (41.3 x 27.5 in) ;
Location: France

Berenbaum gallery, Miami - Collection privée Mr Foster, Washington.

About Keith Haring

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

American, 1958-1990, Reading, Pennsylvania, based in New York, New York