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Keith Haring

Untitled, 1989

Ink and Gouache with Herb Ritts Photo Collage on Handmade Dutch Paper
24 1/2 × 29 1/2 in
62.2 × 74.9 cm
This is a unique work.
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location
Beverly Hills, Mexico City
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About the work
Provenance
ArtLife Gallery
Beverly Hills, Mexico City
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Framed size: 37 x 32 in

Framed size: 37 x 32 in

Keith Haring
American, 1958–1990
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Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

Save
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view
View in room
share
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Save
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view
View in room
share
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About the work
Provenance
ArtLife Gallery
Beverly Hills, Mexico City
Follow

Framed size: 37 x 32 in

Framed size: 37 x 32 in

Keith Haring
American, 1958–1990
Follow

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

Keith Haring

Untitled, 1989

Ink and Gouache with Herb Ritts Photo Collage on Handmade Dutch Paper
24 1/2 × 29 1/2 in
62.2 × 74.9 cm
This is a unique work.
Contact For Price
location
Beverly Hills, Mexico City
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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