Keith Haring, ‘Untitled & Untitled (from Keith Haring, Tony Shafrazi Gallery Exhibition Catalogue)(two works)’, 1982, Roseberys
Keith Haring, ‘Untitled & Untitled (from Keith Haring, Tony Shafrazi Gallery Exhibition Catalogue)(two works)’, 1982, Roseberys

Note: from the important and early monograph showcasing haring's work. the original spiral bound publication with card covers included a foreword by tony shafrazi, as well as text by keith haring, jeffrey deitch, robert pincus-witten, and david shapiro.

Condition Reports: Both float mounted in an perspex glazed ebonised wooden frame. In good condition.

Publisher: Tony Shafrazi Gallery, New York

About Keith Haring

Bridging the gap between the art world and the street, Keith Haring rose to prominence in the early 1980s with his graffiti drawings made in the subways and on the sidewalks of New York City. Combining the appeal of cartoons with the raw energy of Art Brut artists like Jean DuBuffet, Haring developed a distinct pop-graffiti aesthetic centered on fluid, bold outlines against a dense, rhythmic overspread of imagery like that of babies, barking dogs, flying saucers, hearts, and Mickey Mouse. In his subway drawings and murals, Haring explored themes of exploitation, subjugation, drug abuse, and rising fears of nuclear holocaust, which became increasingly apocalyptic after his AIDS diagnosis. Alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer, Haring is regarded as a leading figure in New York East Village Art scene in the 1970s and '80s.

American, 1958-1990, Reading, Pennsylvania, based in New York, New York