Keith Sonnier, ‘Untitled from Sculpture Center Portfolio ’, 1995, Alpha 137 Gallery
Keith Sonnier, ‘Untitled from Sculpture Center Portfolio ’, 1995, Alpha 137 Gallery
Keith Sonnier, ‘Untitled from Sculpture Center Portfolio ’, 1995, Alpha 137 Gallery
Keith Sonnier, ‘Untitled from Sculpture Center Portfolio ’, 1995, Alpha 137 Gallery

This original letterpress print on Somerset paper was created by Keith Sonnier for the 1995 Sculpture Center fundraising portfolio. Artists who contributed to this project were Lillian Ball, Lynda Benglis, Willie Birch, Anne Chu, Petah Coyne, Donna Dennis, Lesley Dill, Mel Edwards, Heide Fasnacht, Mary Frank, Nancy Fried, Nancy Grossman, Jene Highstein, Alain Kirili, Sol LeWitt Leonid Lerman, John Monti, Claes Oldenburg, Rona Pondick, Mia Westerlund Roosen, Beverly Semmes, David Schafer, Keith Sonnier, William Tucker, Ursula Von Rydingsvard, Daniel Wiener, Andy Yoder. This work is floated and framed in an elegant white wood frame and is ready to hang. Signed and numbered 91/100.
Measurements:
Sheet: 6 inches by 6 inches
Frame: 10 inches by 10 inches

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Signature: Signed and numbered in graphite from the edition of 100, recto (front)

Publisher: The Sculpture Center, Long Island City, NY

Sculpture Center Portfolio 1995

About Keith Sonnier

Keith Sonnier constructs his distinctive abstract and semi-figurative light installations out of neon tubing. Often labeled a Minimalist, Sonnier places bright colors and sparse lines together in ways that heighten the lights’ reflective qualities in a given space. Inspired by both his birthplace of Louisiana and the cultures and geographies he encounters in his travels, Sonnier’s sculptures combine hi-tech industrial materials with organic or corporeal themes. For his “Herd” series (2009), Sonnier used lights and curved steel supports to create free-standing animal sculptures resembling the wildlife found in Africa.

American, b. 1941, Mamou, Louisiana, based in New York, New York