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Keren Cytter

Untitled, 2017

Markers on Reflective Solar Film Light Heater Film self Adhesive Mylar Mirror contact paper
15 × 20 in
38.1 × 50.8 cm
This is a unique work.
Contact For Price
location
London
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Keren Cytter
Israeli, b. 1977
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Keren Cytter’s films focus on the creation of a fictional world for the purpose of entertainment, incorporating stories of love, sex, violence, betrayal, and murder. Suggestive of dreams or memories, her films are non-linear and often disorienting—time overlaps and actors repeat lines, switch roles, or deliver directions aloud. In Family (2002), for example, grown men are cast as a mother and her infant son, playing out a domestic Freudian drama. Cytter’s films are strewn with cultural and historical references, reflecting her desire to recombine the recognizable in disorienting, absurdist, and often-humorous arrangements.

Save
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View in room
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Save
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view
View in room
share
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Keren Cytter
Israeli, b. 1977
Follow

Keren Cytter’s films focus on the creation of a fictional world for the purpose of entertainment, incorporating stories of love, sex, violence, betrayal, and murder. Suggestive of dreams or memories, her films are non-linear and often disorienting—time overlaps and actors repeat lines, switch roles, or deliver directions aloud. In Family (2002), for example, grown men are cast as a mother and her infant son, playing out a domestic Freudian drama. Cytter’s films are strewn with cultural and historical references, reflecting her desire to recombine the recognizable in disorienting, absurdist, and often-humorous arrangements.

Keren Cytter

Untitled, 2017

Markers on Reflective Solar Film Light Heater Film self Adhesive Mylar Mirror contact paper
15 × 20 in
38.1 × 50.8 cm
This is a unique work.
Contact For Price
location
London
Have a question? Read our FAQ.
Other works from Keren Cytter: Killing Time Machine
Other works by Keren Cytter
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