Kevin Sloan, ‘We Were Everywhere’, 2012, Conde Contemporary
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Kevin Sloan

We Were Everywhere, 2012

Acrylic on Canvas
12 × 24 in
30.5 × 61 cm
.
Contact For Price
Location
Natchez
Have a question? Visit our help center.
About the work
Provenance
Medium
Signature
Signed and dated on back.
Image rights
Artist retains image rights.
Kevin Sloan
American, b. 1958
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Appropriating the aesthetic of John James Audubon, Kevin Sloan explores the poetic dimensions of nature using a representational, scientific style. His images of the natural world feature intricately rendered birds that evoke Audubon’s realist approach and taxonomic faithfulness. Yet Sloan, aware that photography has supplanted the need for such realistic paintings, incorporates surrealist and vanitas elements into his work. “Freed from the need to describe for science, I can describe the natural world and our interaction with it through an allegorical, social, and political lens,” he has said. For example, in Sloan’s paintings, a bird may clutch a timepiece or poke its head out from a vanitas-style arrangement of fruit. Subtly allegorical, his work probes the relationship between humans, animals, and nature in the contemporary world.

Kevin Sloan, ‘We Were Everywhere’, 2012, Conde Contemporary
Save
Save
View
View in room
Share
Share
About the work
Provenance
Medium
Signature
Signed and dated on back.
Image rights
Artist retains image rights.
Kevin Sloan
American, b. 1958
Follow

Appropriating the aesthetic of John James Audubon, Kevin Sloan explores the poetic dimensions of nature using a representational, scientific style. His images of the natural world feature intricately rendered birds that evoke Audubon’s realist approach and taxonomic faithfulness. Yet Sloan, aware that photography has supplanted the need for such realistic paintings, incorporates surrealist and vanitas elements into his work. “Freed from the need to describe for science, I can describe the natural world and our interaction with it through an allegorical, social, and political lens,” he has said. For example, in Sloan’s paintings, a bird may clutch a timepiece or poke its head out from a vanitas-style arrangement of fruit. Subtly allegorical, his work probes the relationship between humans, animals, and nature in the contemporary world.

Kevin Sloan

We Were Everywhere, 2012

Acrylic on Canvas
12 × 24 in
30.5 × 61 cm
.
Contact For Price
Location
Natchez
Have a question? Visit our help center.
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