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Kiki Kogelnik, ‘Venetian Blinds’, 1980, RoGallery
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Kiki Kogelnik

Venetian Blinds, 1980

Serigraph
37 × 26 in
94 × 66 cm
Edition of 200, AP 35
This is part of a limited edition set.
$3,800
Ships from Long Island City, NY, US
Free shipping worldwide
Location
Long Island City
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
About the work
Articles
RoGallery
Long Island City
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After Kogelnik moved to New York in 1961, she worked in a style that combined aspects of European …

Read more

After Kogelnik moved to New York in 1961, she worked in a style that combined aspects of European figuration and American Pop Art with an increasing feminist consciousness. Sometimes her style mimicked fashion illustration to comment on society's depiction of women. This is a great example of Kogelnik's …

Read more
Medium
Print
Condition
Minor wear consistent with history and age
Signature
Hand-signed by artist, Signed and numbered in pencil
Certificate of authenticity
Not included
Frame
Not included
Kiki Kogelnik
Austrian, 1935–1997
Follow

Although Kiki Kogelnik drew her palette and materials from Pop art, she eschewed the movement’s traditionally commercial subject matter, instead making work about emerging technologies such as space travel. “I’m not involved with Coca-Cola,” she once said. “I’m involved with the technical beauty of rockets.” When she did focus on advertising, it was from a critical feminist perspective. Many of Kogelnik’s works ironically draw on fashion illustration, offering a commentary on the portrayal of women in promotional media. Her career began in Europe among the abstract, expressive painters of the Art Informel movement, such as Arnulf Rainer, and peaked in America amid such Pop art pioneers as Roy Lichtenstein and Andy Warhol.

Kiki Kogelnik, ‘Venetian Blinds’, 1980, RoGallery
Navigate left
Kiki Kogelnik, ‘Venetian Blinds’, 1980, RoGallery
Navigate right
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Articles
RoGallery
Long Island City
Follow

After Kogelnik moved to New York in 1961, she worked in a style that combined aspects of European …

Read more

After Kogelnik moved to New York in 1961, she worked in a style that combined aspects of European figuration and American Pop Art with an increasing feminist consciousness. Sometimes her style mimicked fashion illustration to comment on society's depiction of women. This is a great example of Kogelnik's …

Read more
Medium
Print
Condition
Minor wear consistent with history and age
Signature
Hand-signed by artist, Signed and numbered in pencil
Certificate of authenticity
Not included
Frame
Not included
Kiki Kogelnik
Austrian, 1935–1997
Follow

Although Kiki Kogelnik drew her palette and materials from Pop art, she eschewed the movement’s traditionally commercial subject matter, instead making work about emerging technologies such as space travel. “I’m not involved with Coca-Cola,” she once said. “I’m involved with the technical beauty of rockets.” When she did focus on advertising, it was from a critical feminist perspective. Many of Kogelnik’s works ironically draw on fashion illustration, offering a commentary on the portrayal of women in promotional media. Her career began in Europe among the abstract, expressive painters of the Art Informel movement, such as Arnulf Rainer, and peaked in America amid such Pop art pioneers as Roy Lichtenstein and Andy Warhol.

Kiki Kogelnik

Venetian Blinds, 1980

Serigraph
37 × 26 in
94 × 66 cm
Edition of 200, AP 35
This is part of a limited edition set.
$3,800
Ships from Long Island City, NY, US
Free shipping worldwide
Location
Long Island City
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
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Feminist Art
Pop Art