Kiki Smith, ‘Eggs’, 2015, Alpha 137: Prints and Exhibition Ephemera
Kiki Smith, ‘Eggs’, 2015, Alpha 137: Prints and Exhibition Ephemera
Kiki Smith, ‘Eggs’, 2015, Alpha 137: Prints and Exhibition Ephemera
Kiki Smith, ‘Eggs’, 2015, Alpha 137: Prints and Exhibition Ephemera
Kiki Smith, ‘Eggs’, 2015, Alpha 137: Prints and Exhibition Ephemera
Kiki Smith, ‘Eggs’, 2015, Alpha 137: Prints and Exhibition Ephemera

Framed.

Watercolor, gold leaf, graphite and glitter on Losin Prague. In excellent condition. Acquired from an international charity; donated directly by artist. Framed and ready to hang.

Best known for her sculptural depictions of the female body, often represented through anatomical fragments, Kiki Smith—the daughter of the major Minimalist sculptor Tony Smith—emerged in the 1980s as part of the anarchic, experimental East Village art scene in New York. Merging a sense of spirituality with political concerns, Smith’s works of the 1980s and 1990s often addressed questions of mortality and abjection, as in cycles of work devoted to depictions of organs or employing bodily fluids, which took on a heightened significance in the midst of the AIDS crisis, which was ravaging the New York art world at the time. Among her most iconic works is the sculpture Tale (1992), which depicts a woman crouched on all fours with a trail of excrement trailing behind her, capturing the anxieties about the body and the sense of despair that characterized the period. In addition to the sculptural work for which she is best known, Smith has also made prints throughout her career, considering it to be an equally vital part of her practice. As Smith has stated, “prints mimic what we are as humans: we are all the same and yet every one is different. I think there’s a spiritual power in repetition, a devotional quality, like saying rosaries.”
--Courtesy of Alpha 137 Gallery

Signature: Signed and dated by the artist on the recto (front)

Donated directly by the artist to an international charity. Accompanied by a signed Certificate of Authenticity from the artist.

About Kiki Smith

Using a multitude of mediums and materials, Kiki Smith’s collections are meditations on life and spirituality, often featuring narratives about origins and endings. For the installation Pilgrim (2007-2010), Smith created nearly 30 panels of black and white stained glass supported by steel frames, each representing a stage in a woman’s life and evoking the stations of a pilgrimage. Smith has worked extensively in glass, from the molded sculpture of entangled spermatozoa in Untitled (1989–1990) to the rose window of the Eldridge Street Synagogue (2010) in New York City’s Lower East Side.

American, b. 1954, Nuremberg, Germany, based in New York, New York