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Kiki Smith

Tidal, 1998

Book of accordion-folded photogravure on Hahnemühle paper, with an attached photolithograph on handmade Japon paper along the lower sheet edge
19 3/10 × 126 3/10 in
48.9 × 320.7 cm
Bidding closed
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About the work
Bibliography
C
Christie's

With the justification page, signed and dated in pencil, copy 27 of 39, published by LeRoy Neiman …

Read more

With the justification page, signed and dated in pencil, copy 27 of 39, published by LeRoy Neiman Center for Print Studies, Columbia University, New York, in very good condition, with the original black canvas portfolio box with screenprinted lettering
Overall: 19 ¼ x 126 ¼ in. (489 x 3207 mm.)

Medium
Print
Kiki Smith
American, b. 1954
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Using a multitude of mediums and materials, Kiki Smith’s collections are meditations on life and spirituality, often featuring narratives about origins and endings. For the installation Pilgrim (2007-2010), Smith created nearly 30 panels of black and white stained glass supported by steel frames, each representing a stage in a woman’s life and evoking the stations of a pilgrimage. Smith has worked extensively in glass, from the molded sculpture of entangled spermatozoa in Untitled (1989–1990) to the rose window of the Eldridge Street Synagogue (2010) in New York City’s Lower East Side.

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View in room
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About the work
Bibliography
C
Christie's

With the justification page, signed and dated in pencil, copy 27 of 39, published by LeRoy Neiman …

Read more

With the justification page, signed and dated in pencil, copy 27 of 39, published by LeRoy Neiman Center for Print Studies, Columbia University, New York, in very good condition, with the original black canvas portfolio box with screenprinted lettering
Overall: 19 ¼ x 126 ¼ in. (489 x 3207 mm.)

Medium
Print
Kiki Smith
American, b. 1954
Follow

Using a multitude of mediums and materials, Kiki Smith’s collections are meditations on life and spirituality, often featuring narratives about origins and endings. For the installation Pilgrim (2007-2010), Smith created nearly 30 panels of black and white stained glass supported by steel frames, each representing a stage in a woman’s life and evoking the stations of a pilgrimage. Smith has worked extensively in glass, from the molded sculpture of entangled spermatozoa in Untitled (1989–1990) to the rose window of the Eldridge Street Synagogue (2010) in New York City’s Lower East Side.

Kiki Smith

Tidal, 1998

Book of accordion-folded photogravure on Hahnemühle paper, with an attached photolithograph on handmade Japon paper along the lower sheet edge
19 3/10 × 126 3/10 in
48.9 × 320.7 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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