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Kikuo Saito

Tin Garden, 1981

Collage on Handmade Paper
28 × 28 in
71 × 71 cm
This is part of a limited edition set.
€1,850
Have a question? Read our FAQ.
About the work
Hans den Hollander Prints
Gouda
Follow

signature: lower right in pencil
edition size: 35
publisher: John Szoke, New York

signature: lower right in pencil
edition size: 35
publisher: John Szoke, New York

Medium
Drawing, Collage or other Work on Paper
Kikuo Saito
Japanese, 1939–2016
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Kikuo Saito was a color field painter, set designer, and theater director, who began his career as a studio assistant for some of the most preeminent painters of the 1970s and ‘80s, including Larry Poons, Kenneth Noland, and Helen Frankenthaler. Saito’s works are bright and calligraphic, often covered in gestural strokes of color, drips of paint, and stenciled capital letters. Before turning to painting, Saito was a resident at New York’s La MaMa Experimental Theater Club, and collaborated on set design with directors and choreographers like Robert Wilson, Peter Brook, and Jerome Robins. Saito returned to the theater in 1996 with his silent production, Toy Garden, which costumed dancers as characters from Vittore Carpaccio’s painting Two Venetian Women on a Terrace (1490) in an attempt to reimagine the work’s missing half.

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view
View in room
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Save
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view
View in room
share
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About the work
Hans den Hollander Prints
Gouda
Follow

signature: lower right in pencil
edition size: 35
publisher: John Szoke, New York

signature: lower right in pencil
edition size: 35
publisher: John Szoke, New York

Medium
Drawing, Collage or other Work on Paper
Kikuo Saito
Japanese, 1939–2016
Follow

Kikuo Saito was a color field painter, set designer, and theater director, who began his career as a studio assistant for some of the most preeminent painters of the 1970s and ‘80s, including Larry Poons, Kenneth Noland, and Helen Frankenthaler. Saito’s works are bright and calligraphic, often covered in gestural strokes of color, drips of paint, and stenciled capital letters. Before turning to painting, Saito was a resident at New York’s La MaMa Experimental Theater Club, and collaborated on set design with directors and choreographers like Robert Wilson, Peter Brook, and Jerome Robins. Saito returned to the theater in 1996 with his silent production, Toy Garden, which costumed dancers as characters from Vittore Carpaccio’s painting Two Venetian Women on a Terrace (1490) in an attempt to reimagine the work’s missing half.

Kikuo Saito

Tin Garden, 1981

Collage on Handmade Paper
28 × 28 in
71 × 71 cm
This is part of a limited edition set.
€1,850
Have a question? Read our FAQ.
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