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Komar & Melamid

Soul of Norton Dodge.  From the project Corporation for Buying and Selling Souls., 1978-1979

A construction of wood, metals, white string, and certificate on red paper,
6 3/4 × 10 1/8 × 5 1/8 in
17.1 × 25.7 × 13 cm
Permanent collection
location
Highland Park
About the work
Komar & Melamid
Russian-American , 1943 and 1945
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Once dubbed “exasperating expatriates” for their relentless, wry mockery of the social, political, and artistic systems of the former Soviet Union, Vitaly Komar and Alex Melamid met as art students in Moscow, and teamed up in 1965. They worked together until 2004, creating an outpouring of paintings, sculptures, installations, performances, public projects, photographs, music, and poetry, charged with keen criticisms of Communism, consumerism, the art market, and other human excesses. In 1967, they founded the SOTS Art Movement, a mash-up of Socialist Realism, Dada, Conceptualism, and Pop Art. “If pop-art was born by the overproduction of things and their advertising, then Sots Art was born of the overproduction of ideology and its propaganda, including visual propaganda,” Komar once explained. In 1978, they defected from the USSR and moved to America, where they could freely pursue their subversive vision.

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About the work
Komar & Melamid
Russian-American , 1943 and 1945
Follow

Once dubbed “exasperating expatriates” for their relentless, wry mockery of the social, political, and artistic systems of the former Soviet Union, Vitaly Komar and Alex Melamid met as art students in Moscow, and teamed up in 1965. They worked together until 2004, creating an outpouring of paintings, sculptures, installations, performances, public projects, photographs, music, and poetry, charged with keen criticisms of Communism, consumerism, the art market, and other human excesses. In 1967, they founded the SOTS Art Movement, a mash-up of Socialist Realism, Dada, Conceptualism, and Pop Art. “If pop-art was born by the overproduction of things and their advertising, then Sots Art was born of the overproduction of ideology and its propaganda, including visual propaganda,” Komar once explained. In 1978, they defected from the USSR and moved to America, where they could freely pursue their subversive vision.

Komar & Melamid

Soul of Norton Dodge.  From the project Corporation for Buying and Selling Souls., 1978-1979

A construction of wood, metals, white string, and certificate on red paper,
6 3/4 × 10 1/8 × 5 1/8 in
17.1 × 25.7 × 13 cm
Permanent collection
location
Highland Park
Other works from This Leads to Fire: Russian Art from Nonconformism to Global Capitalism, Selections from the Kolodzei Art Foundation Collection, At the Neuberger Museum of Art Purchase College,Purchase, NY
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