Kristen Morgin, ‘The One Where The Super F-R-I-E-N-D-S Meet Smelly Cat’, 2015, Anthony Meier Fine Arts
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Kristen Morgin

The One Where The Super F-R-I-E-N-D-S Meet Smelly Cat, 2015

Unfired clay, paint, ink and marker
10 × 7 × 1/2 in
25.4 × 17.8 × 1.3 cm
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Location
San Francisco
Kristen Morgin
American, b. 1968
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Kristen Morgin’s sculptures, composed mainly of clay, exert both beauty and loss, as her subjects appear to be unearthed or abandoned objects in varying states of ruin or decay. Morgin’s remarkable ability to conjure the textures of accessible objects—such as carved wood, rusted metal, and fabric—in clay emphasizes the complexity of the present by way of the past. Her works, which include Topolino (2003), an abandoned Fiat micro car, serve as memento mori of the 20th century’s material culture.

Kristen Morgin, ‘The One Where The Super F-R-I-E-N-D-S Meet Smelly Cat’, 2015, Anthony Meier Fine Arts
Save
Save
View
View in room
Share
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Kristen Morgin
American, b. 1968
Follow

Kristen Morgin’s sculptures, composed mainly of clay, exert both beauty and loss, as her subjects appear to be unearthed or abandoned objects in varying states of ruin or decay. Morgin’s remarkable ability to conjure the textures of accessible objects—such as carved wood, rusted metal, and fabric—in clay emphasizes the complexity of the present by way of the past. Her works, which include Topolino (2003), an abandoned Fiat micro car, serve as memento mori of the 20th century’s material culture.

Kristen Morgin

The One Where The Super F-R-I-E-N-D-S Meet Smelly Cat, 2015

Unfired clay, paint, ink and marker
10 × 7 × 1/2 in
25.4 × 17.8 × 1.3 cm
Sold
Location
San Francisco
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