Kurt Schwitters, ‘Cottage’, 1946, Drawing, Collage or other Work on Paper, Paper Collage, Art Resource
Save
Save
View
View in room
Share
Share

Kurt Schwitters

Cottage, 1946

Paper Collage
10 × 8 3/10 in
25.5 × 21.2 cm
Location
New York
Want to sell a work by this artist? Consign with Artsy.
AR
Art Resource
New York
Medium
Image rights
bpk, Berlin / Nationalgalerie, Staatliche Museen, Berlin, Germany /Joerg P. Anders / Art Resource, NY / Schwitters, Kurt (1887-1948) © ARS, …
Kurt Schwitters
German, 1887–1948
Follow

Associated with the Dada movement, painter, poet, and mixed-media artist Kurt Schwitters is best known for his collage and assemblage works in which he transformed appropriated imagery and text from print media into dynamic and layered compositions. Schwitters studied at the Dresden Academy of Art with Otto Dix and George Grosz, and after showing in Berlin in 1918 was introduced to Dadaists Raoul Hausmann, Hannah Höch, and Jean Arp. It was at this time he began making assemblages from materials found discarded on the streets of his home city, Hannover, intending to reflect the ruined state of German culture; he called the works Merzbilder after the German word “Kommerz,” as in Merzbild 1A. The mental doctor (1919). Unlike the Berlin Dadaists, however, Schwitters’ main concern was art-making, not political activism, and he is remembered best for his innovative use of mixed-media and masterful sense of composition.

Navigate left
Kurt Schwitters, ‘Cottage’, 1946, Drawing, Collage or other Work on Paper, Paper Collage, Art Resource
Navigate right
Save
Save
View
View in room
Share
Share
AR
Art Resource
New York
Medium
Image rights
bpk, Berlin / Nationalgalerie, Staatliche Museen, Berlin, Germany /Joerg P. Anders / Art Resource, NY / Schwitters, Kurt (1887-1948) © ARS, …
Kurt Schwitters
German, 1887–1948
Follow

Associated with the Dada movement, painter, poet, and mixed-media artist Kurt Schwitters is best known for his collage and assemblage works in which he transformed appropriated imagery and text from print media into dynamic and layered compositions. Schwitters studied at the Dresden Academy of Art with Otto Dix and George Grosz, and after showing in Berlin in 1918 was introduced to Dadaists Raoul Hausmann, Hannah Höch, and Jean Arp. It was at this time he began making assemblages from materials found discarded on the streets of his home city, Hannover, intending to reflect the ruined state of German culture; he called the works Merzbilder after the German word “Kommerz,” as in Merzbild 1A. The mental doctor (1919). Unlike the Berlin Dadaists, however, Schwitters’ main concern was art-making, not political activism, and he is remembered best for his innovative use of mixed-media and masterful sense of composition.

Kurt Schwitters

Cottage, 1946

Paper Collage
10 × 8 3/10 in
25.5 × 21.2 cm
Location
New York
Want to sell a work by this artist? Consign with Artsy.
Other works by Kurt Schwitters
Related works