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Kurt Schwitters, ‘MZ 33’, 1920, Galerie Natalie Seroussi
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Kurt Schwitters

MZ 33, 1920

Collage de papier sur carton
4 1/5 × 3 3/10 in
10.6 × 8.3 cm
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About the work
Medium
Drawing, Collage or other Work on Paper
Kurt Schwitters
German, 1887–1948
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Associated with the Dada movement, painter, poet, and mixed-media artist Kurt Schwitters is best known for his collage and assemblage works in which he transformed appropriated imagery and text from print media into dynamic and layered compositions. Schwitters studied at the Dresden Academy of Art with Otto Dix and George Grosz, and after showing in Berlin in 1918 was introduced to Dadaists Raoul Hausmann, Hannah Höch, and Jean Arp. It was at this time he began making assemblages from materials found discarded on the streets of his home city, Hannover, intending to reflect the ruined state of German culture; he called the works Merzbilder after the German word “Kommerz,” as in Merzbild 1A. The mental doctor (1919). Unlike the Berlin Dadaists, however, Schwitters’ main concern was art-making, not political activism, and he is remembered best for his innovative use of mixed-media and masterful sense of composition.

Kurt Schwitters, ‘MZ 33’, 1920, Galerie Natalie Seroussi
Save
Save
View
View in room
Share
Share
About the work
Medium
Drawing, Collage or other Work on Paper
Kurt Schwitters
German, 1887–1948
Follow

Associated with the Dada movement, painter, poet, and mixed-media artist Kurt Schwitters is best known for his collage and assemblage works in which he transformed appropriated imagery and text from print media into dynamic and layered compositions. Schwitters studied at the Dresden Academy of Art with Otto Dix and George Grosz, and after showing in Berlin in 1918 was introduced to Dadaists Raoul Hausmann, Hannah Höch, and Jean Arp. It was at this time he began making assemblages from materials found discarded on the streets of his home city, Hannover, intending to reflect the ruined state of German culture; he called the works Merzbilder after the German word “Kommerz,” as in Merzbild 1A. The mental doctor (1919). Unlike the Berlin Dadaists, however, Schwitters’ main concern was art-making, not political activism, and he is remembered best for his innovative use of mixed-media and masterful sense of composition.

Kurt Schwitters

MZ 33, 1920

Collage de papier sur carton
4 1/5 × 3 3/10 in
10.6 × 8.3 cm
Want to sell a work by this artist? Consign with Artsy.
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