Lalla Essaydi, ‘Harem #1’, 2009, Edwynn Houk Gallery
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Lalla Essaydi

Harem #1, 2009

Three chromogenic prints mounted to aluminum with a UV protective laminate
This is part of a limited edition set.
24 × 20 in
61 × 50.8 cm
Edition of 15
Contact for price
40 × 30 in
101.6 × 76.2 cm
Edition of 15
Contact for price
60 × 48 in
152.4 × 121.9 cm
Edition of 10
Contact for price
Location
New York
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
About the work
Medium
Photography
Lalla Essaydi
Moroccan, b. 1956
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Lalla Essaydi was born in Morocco and spent part of her childhood in Saudi Arabia, before studying art in Paris and Boston. She combines these influences in her photography, which features Moroccan women laced with the stereotypes and loaded imagery of Orientalist paintings by the likes of Jean-Léon Gérôme, Eugène Delacroix, and John Singer Sargent. She covers the images with a loose rendering of Arabic script, illegible and written in henna—a reference to both the traditionally male art of calligraphy and the traditionally female art of henna. “Ultimately I wish for my work to be as vividly present and yet as elusive as ‘woman’ herself,” Essaydi has said. “Not simply because she is veiled or turns away, but because she is still in progress.”

Lalla Essaydi, ‘Harem #1’, 2009, Edwynn Houk Gallery
Save
Save
View
View in room
Share
Share
About the work
Medium
Photography
Lalla Essaydi
Moroccan, b. 1956
Follow

Lalla Essaydi was born in Morocco and spent part of her childhood in Saudi Arabia, before studying art in Paris and Boston. She combines these influences in her photography, which features Moroccan women laced with the stereotypes and loaded imagery of Orientalist paintings by the likes of Jean-Léon Gérôme, Eugène Delacroix, and John Singer Sargent. She covers the images with a loose rendering of Arabic script, illegible and written in henna—a reference to both the traditionally male art of calligraphy and the traditionally female art of henna. “Ultimately I wish for my work to be as vividly present and yet as elusive as ‘woman’ herself,” Essaydi has said. “Not simply because she is veiled or turns away, but because she is still in progress.”

Lalla Essaydi

Harem #1, 2009

Three chromogenic prints mounted to aluminum with a UV protective laminate
This is part of a limited edition set.
24 × 20 in
61 × 50.8 cm
Edition of 15
Contact for price
40 × 30 in
101.6 × 76.2 cm
Edition of 15
Contact for price
60 × 48 in
152.4 × 121.9 cm
Edition of 10
Contact for price
Location
New York
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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