Larry Bell, ‘The Cross Roads’, 1988, Painting, Aluminum, silicon monoxide and acrylic on canvas, Artsy x Rago/Wright
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Larry Bell

The Cross Roads, 1988

Aluminum, silicon monoxide and acrylic on canvas
30 × 40 in
76.2 × 101.6 cm
.
Bidding closed
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ARW
Artsy x Rago/Wright

This work is sold by a professional seller and ships from Taos, New Mexico, United States.

203 Fine …

Medium
Signature
Signed and dated, verso
Larry Bell
American, b. 1939
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Larry Bell is most commonly known for his Minimalist sculptures—transparent cubes that thrive on the interplay of shape, light, and environment— that champion the ideas of the Light and Space Movement of the 1960s. Although Bell had early success with Abstract Expressionist painting, a side job at a frame shop led him to experiment with excess scraps of glass, thus beginning his fascination with the material’s interaction with light. Bell’s first series of cubes combined three-dimensional glass forms with transmitted light, creating illusions of perspective through angles, ellipses, and mirrors. His later purchase of industrial plating equipment allowed him to create sculptures with metallic-coated glass and, eventually, drawings on mylar-coated paper. At age 46, correction of a lifelong hearing disability brought depressive hallucinations, which Bell channeled into collages of coated materials for catharsis.

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Larry Bell, ‘The Cross Roads’, 1988, Painting, Aluminum, silicon monoxide and acrylic on canvas, Artsy x Rago/Wright
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Save
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View
View in room
Share
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ARW
Artsy x Rago/Wright

This work is sold by a professional seller and ships from Taos, New Mexico, United States.

203 Fine Art was established in 2006 by artists Eric Andrews and Shaun Richel with the vision of founding a venue for contemporary art in the traditionally inclined art landscape of Taos, New Mexico.

203 Fine Art's selection …

Medium
Signature
Signed and dated, verso
Larry Bell
American, b. 1939
Follow

Larry Bell is most commonly known for his Minimalist sculptures—transparent cubes that thrive on the interplay of shape, light, and environment— that champion the ideas of the Light and Space Movement of the 1960s. Although Bell had early success with Abstract Expressionist painting, a side job at a frame shop led him to experiment with excess scraps of glass, thus beginning his fascination with the material’s interaction with light. Bell’s first series of cubes combined three-dimensional glass forms with transmitted light, creating illusions of perspective through angles, ellipses, and mirrors. His later purchase of industrial plating equipment allowed him to create sculptures with metallic-coated glass and, eventually, drawings on mylar-coated paper. At age 46, correction of a lifelong hearing disability brought depressive hallucinations, which Bell channeled into collages of coated materials for catharsis.

Larry Bell

The Cross Roads, 1988

Aluminum, silicon monoxide and acrylic on canvas
30 × 40 in
76.2 × 101.6 cm
.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.