Latifa Echakhch
And we want to be a good partner in that process, recognizing that ultimately it will be up to its law enforcement to carry out the decisions that need to be made, 2015
Latifa Echakhch uses common materials from both of her homes (Morocco and France) to create …
Read moreLatifa Echakhch uses common materials from both of her homes (Morocco and France) to create compelling, theatrical installations that raise challenging, universal questions, often suggesting danger or disorder. The title of this work adds to it’s own foreboding mystery, complementing Echakhch’s simultaneously …
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Born in Morocco and raised in France, Latifa Echakhch mines cultural stereotypes as subject matter for her work. By deconstructing and re-presenting materials associated with Morocco and France, Echakhch creates sharp-witted installations that challenge cultural assumptions. In Untitled (Gunpowder) (2008) she created a black border by throwing gunpowder tea at a wall, simultaneously referencing war and the popularity of tea in Morocco. In Untitled I – V (2010), she covered canvases with carbon paper, which was used to make copies of revolutionary texts in France in the 1960s and ’70s. Echakhch won the Marcel Duchamp Prize in 2013.
Latifa Echakhch uses common materials from both of her homes (Morocco and France) to create …
Read moreLatifa Echakhch uses common materials from both of her homes (Morocco and France) to create compelling, theatrical installations that raise challenging, universal questions, often suggesting danger or disorder. The title of this work adds to it’s own foreboding mystery, complementing Echakhch’s simultaneously …
Read moreBorn in Morocco and raised in France, Latifa Echakhch mines cultural stereotypes as subject matter for her work. By deconstructing and re-presenting materials associated with Morocco and France, Echakhch creates sharp-witted installations that challenge cultural assumptions. In Untitled (Gunpowder) (2008) she created a black border by throwing gunpowder tea at a wall, simultaneously referencing war and the popularity of tea in Morocco. In Untitled I – V (2010), she covered canvases with carbon paper, which was used to make copies of revolutionary texts in France in the 1960s and ’70s. Echakhch won the Marcel Duchamp Prize in 2013.
