Laurent Millet, ‘Cabane 17’, 2000, Photography, Gelatin silver print, Catherine Edelman Gallery
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Laurent Millet

Cabane 17, 2000

Gelatin silver print
9 × 14 in
22.9 × 35.6 cm
Edition of 20
.
CEG
Catherine Edelman Gallery
Chicago
Medium
Signature
This Millet photograph is signed, titled, dated & editioned verso in pencil by the artist.
Series
La Cabanes
Laurent Millet
French, b. 1968
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Like Sara VanDerBeek and Thomas Demand, Laurent Millet creates 3-D installations that serve as the subjects for his photographs. His objects are made of wire, tape, pins, and other household materials, sometimes installed on tables and chairs in a whitewashed studio and at other times in natural settings. Millet is interested in phenomenological doubt, exploring the playful ambiguity that results when three-dimensional installations are translated into two-dimensional images. His images often recall Piet Mondrian’s Neo-Plasticist paintings or Alexander Calder’s wire circus.

Laurent Millet, ‘Cabane 17’, 2000, Photography, Gelatin silver print, Catherine Edelman Gallery
Save
Save
View
View in room
Share
Share
CEG
Catherine Edelman Gallery
Chicago
Medium
Signature
This Millet photograph is signed, titled, dated & editioned verso in pencil by the artist.
Series
La Cabanes
Laurent Millet
French, b. 1968
Follow

Like Sara VanDerBeek and Thomas Demand, Laurent Millet creates 3-D installations that serve as the subjects for his photographs. His objects are made of wire, tape, pins, and other household materials, sometimes installed on tables and chairs in a whitewashed studio and at other times in natural settings. Millet is interested in phenomenological doubt, exploring the playful ambiguity that results when three-dimensional installations are translated into two-dimensional images. His images often recall Piet Mondrian’s Neo-Plasticist paintings or Alexander Calder’s wire circus.

Laurent Millet

Cabane 17, 2000

Gelatin silver print
9 × 14 in
22.9 × 35.6 cm
Edition of 20
.
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