Laurie Hogin, ‘Arcadian Habitat Diorama with Narcissus Glitter Fowl’, 2014, Koplin Del Rio

About Laurie Hogin

Laurie Hogin’s large-scale allegorical oil paintings of a mutated natural world raise issues of consumerism, sexism, and environmental degradation. Rendered in a hyper-realistic style reminiscent of 17th-century Dutch masters, neon-colored animals populate overgrown landscapes, or pose as the subject of a portrait, for instance holding a bubble-wand (The Bubble, 2008). In her well-known painting Allegory of the Free Market (1997), deer-like creatures sporting tiger stripes and leopard spots—one with a banner reading “laissez-faire” tied to its oversized antlers—frantically race down a hillside beneath an ominously smoky sky. “These creatures in the painting have become rampant because of free market policies,” she explains. “Unregulated use of land has resulted in the destruction of predator habitat. One species becomes unbalanced, in a sense, and overruns everything.”

American, b. 1963

Solo Shows on Artsy

"Laurie Hogin: Action at a Distance", Koplin Del Rio, Seattle

Group Shows on Artsy

LIBERTY., Koplin Del Rio, Seattle
Gross Anatomies, Hieronymus, Akron
How Far Have We Come?, Koplin Del Rio, Online Exhibition
Behind the Easel, Somerville Manning Gallery, Greenville
IDENTITY: A Visual Artifact, Koplin Del Rio, Seattle