Lee Bontecou, ‘Untitled’, 1973, Joseph K. Levene Fine Art, Ltd.


Signature: Numbered by the Artist in pencil lower left recto Signed "Lee Bontecou" in white pencil lower right Stamped in black on verso "© Copyright 1973 By Lee Bontecou Printed At Styria Studio"

Publisher: Experiments in Art and Technology

About Lee Bontecou

One of the most widely recognized female artists of the 1960s, Lee Bontecou creates welded wall reliefs, hanging sculptures, and miniature, mystical drawings that reflect her interest in natural and man-made forms. Brown and black in tone and often with ominous, organic voids at their centers, her large-scale patchwork accumulations of canvas, leather, wire mesh, and muslin recall nests, machines, ancient architecture, and the human body. She constructs her massive, free-hanging forms from constellations of steel, shaped canvas, porcelain curios, and explosive lengths of wire that reach far into space. Through such works, Bontecou has sought to capture “as much of life as possible—no barriers—no boundaries—all freedom in every sense,” she says.

American, b. 1931, Providence, Rhode Island

Solo Shows on Artsy

Lee Bontecou, Gemeentemuseum, The Hague, Netherlands

Group Shows on Artsy

Surrealism: The Conjured Life, MCA Chicago, Chicago
Take an Object, Museum of Modern Art, New York, NY, United States
Black or White, Joseph K. Levene Fine Art, Ltd., New York