Lee Bul, ‘Perdu XVIII’, 2019, Painting, Mother of pearl, acrylic paint on lacquered wooden base panel, steel frame, Lehmann Maupin
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Lee Bul

Perdu XVIII, 2019

Mother of pearl, acrylic paint on lacquered wooden base panel, steel frame
74 1/2 × 33 × 2 1/2 in
189.2 × 83.8 × 6.4 cm
.
Sold
Location
New York, Hong Kong, Seoul, London
Lee Bul
Korean, b. 1964
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Crafted from materials including metal, silicone, resin, chains, crystal beads, and organic matter, Lee Bul’s cyborgs, monsters, and glittering architectural structures may seem futuristic but are influenced by specters of the historical avant-garde, like 18th-century Italian artist Piranesi’s labyrinths; the Futurist dreams of Italian architect Antonio Sant’Elia; and Weimar architect Bruno Taut’s fantastic crystalline cities suspended in mid-air. Though Lee was academically trained in sculpture, her early works were often interactive, inviting viewers to create private performances in sleek karaoke pods or to pump air into monumental balloons mimicking manga and anime heroines. Lee’s diverse body of recent work—including installations of sculptures, drawings, and maquettes—continues to cross genres and disciplines, exploring themes of beauty, corruption, and decay.

Lee Bul, ‘Perdu XVIII’, 2019, Painting, Mother of pearl, acrylic paint on lacquered wooden base panel, steel frame, Lehmann Maupin
Save
Save
Share
Share
Lee Bul
Korean, b. 1964
Follow

Crafted from materials including metal, silicone, resin, chains, crystal beads, and organic matter, Lee Bul’s cyborgs, monsters, and glittering architectural structures may seem futuristic but are influenced by specters of the historical avant-garde, like 18th-century Italian artist Piranesi’s labyrinths; the Futurist dreams of Italian architect Antonio Sant’Elia; and Weimar architect Bruno Taut’s fantastic crystalline cities suspended in mid-air. Though Lee was academically trained in sculpture, her early works were often interactive, inviting viewers to create private performances in sleek karaoke pods or to pump air into monumental balloons mimicking manga and anime heroines. Lee’s diverse body of recent work—including installations of sculptures, drawings, and maquettes—continues to cross genres and disciplines, exploring themes of beauty, corruption, and decay.

Lee Bul

Perdu XVIII, 2019

Mother of pearl, acrylic paint on lacquered wooden base panel, steel frame
74 1/2 × 33 × 2 1/2 in
189.2 × 83.8 × 6.4 cm
.
Sold
Location
New York, Hong Kong, Seoul, London
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