Lewis Wickes Hine, ‘The McClain Brothers (On the Mooring Mast, Empire State Building)’, circa 1930, Sotheby's

Oversized, warm-toned, annotated 'Photograph by Lewis W. Hine / Hastings-on-Hudson, N. Y.' in ink on the reverse, (T**he Empire State Building, p. 94; Men at Work, unpaginated).

From the Catalogue:
This photograph was originally from the collection of Allen H. Eaton, a trustee of New York's Ethical Culture School, and an employee of the Russell Sage Foundation, where Hine had an important exhibition of his photographs in 1929.
—Courtesy of Sotheby's

About Lewis Wickes Hine

For American photographer Lewis Wickes Hine, photography was a tool to “show things that had to be corrected.” At the beginning of the 20th century, he realized the storytelling power of documentary photography, and his images of children working in shocking situations would become instrumental in the passage of child labor laws. To create these images—he made over 5,000 negatives for the National Child Labor Committee over the course of 10 years—Hine often snuck into factories to conduct his work, noting personal details about the children, including their ages, heights, and the hours that they worked, and portraying them in frank, directly head-on portraits. In addition, he created a now-famous series of images of workers atop the Empire State Building during its construction in the 1930s for the series “Men at Work”.

American, 1874-1940, Oshkosh, WI, United States, based in Dobbs Ferry, NY, United States

Group Shows

2016
Time Magazine, 
New York, NY, USA,
The Most Influential Images of All Time
2005
International Center of Photography, 
New York, NY, USA,
The Body at Risk, Photography of Disorder, Illness and Healing