30 October 2019 (New Orleans, LA) JONATHAN FERRARA GALLERY is proud to announce, Deep Woods, the premiere solo exhibition of Hudson Valley-based artist Lisa Sanditz. In this exhibition, the artist explores the complex relationship between humans and the natural landscape – creating a visual commentary on the social …

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Lisa Sanditz’s contemporary landscape paintings focus on the magnificence of desecrated land as a reflection of contemporary culture and the economy. Stating, “I am equally engaged by what is beautiful and what is degraded,” Sanditz explores locations that contain visual elements ripe for painterly interpretation. From 2007-08, she created a series that examined the consumer-based relationship between China and the United States, surveying the phenomenon of single-commodity towns in China. Christmas for Export (2007), for example, features a wasteland of red Christmas baubles amidst a desolate gray city. More recently, Sanditz has focused her painting on political hotspots within her own country, in works such as The Silverlake Reservoir (2010), which depicts a Los Angeles reservoir that was filled with 400,000 black balls to prevent sunlight from stimulating the growth of carcinogenic materials in the water.

Selected exhibitions
2020
Lisa Sanditz: Mud SeasonHuxley-Parlour
2019
Lisa Sanditz ||| Deep WoodsJonathan Ferrara Gallery
2018
Oscillation: An Exhibition About Painting, curated by Dan CameronJonathan Ferrara Gallery
View all

Landscape Color Study 21, 2019

Oil on canvas
16 × 12 in
40.6 × 30.5 cm
.
$2,200
Ships from New Orleans, LA, US
Shipping: $100 domestic only
Location
New Orleans
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30 October 2019 (New Orleans, LA) JONATHAN FERRARA GALLERY is proud to announce, Deep Woods, the …

Medium
Signature
Hand-signed by artist
Certificate of authenticity
Included
Frame
Not included

Lisa Sanditz’s contemporary landscape paintings focus on the magnificence of desecrated land as a reflection of contemporary culture and the economy. Stating, “I am equally engaged by what is beautiful and what is degraded,” Sanditz explores locations that contain visual elements ripe for painterly interpretation. From 2007-08, she created a series that examined the consumer-based relationship between China and the United States, surveying the phenomenon of single-commodity towns in China. Christmas for Export (2007), for example, features a wasteland of red Christmas baubles amidst a desolate gray city. More recently, Sanditz has focused her painting on political hotspots within her own country, in works such as The Silverlake Reservoir (2010), which depicts a Los Angeles reservoir that was filled with 400,000 black balls to prevent sunlight from stimulating the growth of carcinogenic materials in the water.

Selected exhibitions (3)
Other works from Lisa Sanditz ||| Deep Woods
Other works by Lisa Sanditz
Other works from Jonathan Ferrara Gallery
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