Liu Dan, ‘Ink Handscroll 水墨画卷’, 1990, The Metropolitan Museum of Art

刘丹 水墨画卷

Ink Art: Past as Present in Contemporary China, The Metropolitan Museum of Art, 2013-14

Lent by The San Diego Museum of Art, Museum purchase, 1998

About Liu Dan

Though Liu Dan does not tend towards a single subject matter, he is known to paint what he calls “uncertain” subjects, since he believes that “the clearer the feeling, the blurrier the image.” His best known works depict landscapes, flowers, and what is known as Guai Shi (odd stones) in traditional Chinese art and literati culture. From this, Liu has developed a theory of landscape painting he calls a “micro exploration through macro understanding.” Though Liu trained in the traditional styles of Chinese painting and has devoted himself to ink and brush techniques, he was an ardent admirer of Western Old Masters as a child and has been known for forays into watercolor.

Chinese , b. 1953, Nanjing, China

Fair History on Artsy

2015
Gallery 100 at Art Stage Singapore 2015