Liu Dan, ‘Mingsha Diabolo’, 2013, China Institute Gallery

Inspired by Dunhuang: Re-creation in Contemporary Chinese Art, China Institute Gallery, 2013-14

About Liu Dan

Though Liu Dan does not tend towards a single subject matter, he is known to paint what he calls “uncertain” subjects, since he believes that “the clearer the feeling, the blurrier the image.” His best known works depict landscapes, flowers, and what is known as Guai Shi (odd stones) in traditional Chinese art and literati culture. From this, Liu has developed a theory of landscape painting he calls a “micro exploration through macro understanding.” Though Liu trained in the traditional styles of Chinese painting and has devoted himself to ink and brush techniques, he was an ardent admirer of Western Old Masters as a child and has been known for forays into watercolor.

Chinese , b. 1953, Nanjing, China

Group Shows on Artsy

Ink Art: Past as Present in Contemporary China, The Metropolitan Museum of Art
Chinese Contemporary Ink, Christie's South Asian + Chinese

Fair History on Artsy