Liz Glynn, ‘Celestial Globe 34N118W (after Archimedes)’, 2014, CalArts Benefit
Liz Glynn, ‘Celestial Globe 34N118W (after Archimedes)’, 2014, CalArts Benefit
Liz Glynn, ‘Celestial Globe 34N118W (after Archimedes)’, 2014, CalArts Benefit

Liz Glynn began to create globes while occupying a train car studio for the majority of Station to Station—Doug Aitken’s art extravaganza that traversed the U.S. in summer 2013. She says they’re inspired by Renaissance maps of the constellations.

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For questions about this artwork or the CalArts Benefit Sale, please call (844) 427-8796 to speak with an Artsy Specialist.

All proceeds benefit CalArts. Check should be made payable to CalArts and sent to:

Attn: Laura Riggen
24700 McBean Parkway
Valencia, CA 91355

Image rights: Photo by Jeff McLane Courtesy of Redling Fine Art, Los Angeles and Paula Cooper Gallery, New York

About Liz Glynn

Liz Glynn’s multi-dimensional practice reanimates historic moments and looks critically at our contemporary material relationship to these events. Her works have been inspired by topics spanning a broad chronological and geographical spectrum, including the Egyptian Revolution, Buckminster Fuller’s Geodesic Domes, rare collections in the Metropolitan Museum, and the Trojan Empire. Her participatory performances are frequently coupled with series of sculptural objects inspired by artifacts, deliberately constructed from flimsy and disposable materials. Glynn, who has an enduring interest in cycles of emergence and decline in civilization and their presentations, has been linked with the legacy of Conceptual Art and Institutional Critique.

American, b. 1981, Boston, Massachusetts, based in Los Angeles, California

Solo Shows

New York,
Liz Glynn

Group Shows

Harris Lieberman Gallery, 
New York,