Shapely corner legs and girdle imitating a mahogany drapery. Filling fully redone.
The bench was realized while Louis Sue and André Mare ran the most fertile and splendor days of their careers. The Compagnie des Arts Français, which had just reached recognition, was irrigated with original pieces always exhibited at major rendez-vous in Paris such as the International Exhibition of Decorative Arts.
Florence Camard, Süe & Mare et la Compagnie des arts français, Éditions de l'Amateur, Paris, 1993, model reproduced based on a black and white photgraphy, referenced under n°62 p. 274.
Philippe Seulliet, « La passion de l'Art Déco », Vogue Décoration, Édition Internationale, 1986, n° 8, our bench in situ p. 197.
Anna Rabolini, « Figlio del novecento », Antiquariato, Agosto 1996, n°184, reproduced p. 51.
Geneviève et Pierre Hebey's collection, Paris.