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No. 13 of 14 from the installation set À l’Infini. , 2008

Soft ground etching, with gouache, watercolor, watercolor wash, pencil, and colored pencil additions.
location
New York
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About the work
The Museum of Modern Art
New York
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The Museum of Modern Art, New York. Purchased with funds provided by Agnes Gund, Marie-Josée and …

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The Museum of Modern Art, New York. Purchased with funds provided by Agnes Gund, Marie-Josée and Henry R. Kravis, Marlene Hess and James D. Zirin, Maja Oeri and Hans Bodenmann, and Katherine Farley and Jerry Speyer, and Richard S. Zeisler Bequest (by exchange).

Image rights
© 2017 The Easton Foundation/Licensed by VAGA, NY.
Louise Bourgeois
French-American, 1911–2010
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Beginning her artistic practice in her native Paris, Louise Bourgeois was originally associated …

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Beginning her artistic practice in her native Paris, Louise Bourgeois was originally associated with Surrealism due to her integration of fantastic elements into her prints and sculptures. Upon moving to New York in 1938, Bourgeois focused primarily on sculpture, crafting biomorphic forms that curator Lucy Lippard has …

Read more
Save
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About the work
The Museum of Modern Art
New York
Follow

The Museum of Modern Art, New York. Purchased with funds provided by Agnes Gund, Marie-Josée and …

Read more

The Museum of Modern Art, New York. Purchased with funds provided by Agnes Gund, Marie-Josée and Henry R. Kravis, Marlene Hess and James D. Zirin, Maja Oeri and Hans Bodenmann, and Katherine Farley and Jerry Speyer, and Richard S. Zeisler Bequest (by exchange).

Image rights
© 2017 The Easton Foundation/Licensed by VAGA, NY.
Louise Bourgeois
French-American, 1911–2010
Follow

Beginning her artistic practice in her native Paris, Louise Bourgeois was originally associated …

Read more

Beginning her artistic practice in her native Paris, Louise Bourgeois was originally associated with Surrealism due to her integration of fantastic elements into her prints and sculptures. Upon moving to New York in 1938, Bourgeois focused primarily on sculpture, crafting biomorphic forms that curator Lucy Lippard has …

Read more

No. 13 of 14 from the installation set À l’Infini. , 2008

Soft ground etching, with gouache, watercolor, watercolor wash, pencil, and colored pencil additions.
location
New York
Want to sell a work by this artist? Learn more.
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