Louise Bourgeois, ‘Paris Review’, 1994, Carolina Nitsch Contemporary Art
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Paris Review, 1994

Aquatint and drypoint with white acrylic stencil additions on Smooth, wove Somerset paper
36 4/5 × 28 in
93.5 × 71.2 cm
Edition of 35
This is part of a limited edition set.
$25,000
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
About the work
Medium
Print
Signature
Louise Bourgeois. 1994" lower right margin
Publisher
The Paris Review, New York
Image rights
© The Easton Foundation/VAGA at ARS, NY
Price ranges of medium-sized prints by Louise Bourgeois
Learn more
More info
Browse works in this category
$24,000–$25,500
This work
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$31,500+
Louise Bourgeois
French-American, 1911–2010
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Beginning her artistic practice in her native Paris, Louise Bourgeois was originally associated with Surrealism due to her integration of fantastic elements into her prints and sculptures. Upon moving to New York in 1938, Bourgeois focused primarily on sculpture, crafting biomorphic forms that curator Lucy Lippard has described as enacting the physicality of the body as experienced from within. Bourgeois’s suggestive organ-like contours and early use of unconventional materials (like resin, latex, and cloth) allude to a tension between quintessentially male and female forms. This recurrent interrogation of the male/female dialectic aligns Bourgeois with the Feminist movement, but her work has also been examined through the lens of Abstract Expressionism, as she exhibited with artists such as Robert Motherwell, Jackson Pollock, and Mark Rothko.

Louise Bourgeois, ‘Paris Review’, 1994, Carolina Nitsch Contemporary Art
Save
Save
View
View in room
Share
Share
About the work
Medium
Print
Signature
Louise Bourgeois. 1994" lower right margin
Publisher
The Paris Review, New York
Image rights
© The Easton Foundation/VAGA at ARS, NY
Price ranges of medium-sized prints by Louise Bourgeois
Learn more
More info
Browse works in this category
$24,000–$25,500
This work
$0
$31,500+
Louise Bourgeois
French-American, 1911–2010
Follow

Beginning her artistic practice in her native Paris, Louise Bourgeois was originally associated with Surrealism due to her integration of fantastic elements into her prints and sculptures. Upon moving to New York in 1938, Bourgeois focused primarily on sculpture, crafting biomorphic forms that curator Lucy Lippard has described as enacting the physicality of the body as experienced from within. Bourgeois’s suggestive organ-like contours and early use of unconventional materials (like resin, latex, and cloth) allude to a tension between quintessentially male and female forms. This recurrent interrogation of the male/female dialectic aligns Bourgeois with the Feminist movement, but her work has also been examined through the lens of Abstract Expressionism, as she exhibited with artists such as Robert Motherwell, Jackson Pollock, and Mark Rothko.

Paris Review, 1994

Aquatint and drypoint with white acrylic stencil additions on Smooth, wove Somerset paper
36 4/5 × 28 in
93.5 × 71.2 cm
Edition of 35
This is part of a limited edition set.
$25,000
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works by Louise Bourgeois
Other works from Carolina Nitsch Contemporary Art
Related works
Most Similar
Feminist Art