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Louise Despont, ‘Energy Scaffolds and Information Architecture (Return to Formlessness)’, 2015, Tang Teaching Museum and Art Gallery
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Louise Despont

Energy Scaffolds and Information Architecture (Return to Formlessness), 2015

Colored pencil and graphite on antique ledger book pages
Location
Saratoga Springs
About the work
Medium
Drawing, Collage or other Work on Paper
Image rights
Courtesy of the artist and Nicelle Beauchene Gallery
Louise Despont
American, b. 1983
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With “a particular interest in cosmologies—esoteric and metaphysical,” as she describes, Louise Despont uses drawing as meditation on the intersection of the intellectual and the spiritual. Using architectural stencils and compasses, she draws intricate, poetic compositions on Raj-era British-Indian graph paper ledgers, chosen for their depth of color and fragility. Her geometric and floral designs in warm-toned graphite and watercolor draw on Indian, ancient Buddhist, and architectural motifs, forming an abstract language of symbols. “The patterns represent internal forms, directional movement, and radiating energies,” Despont explains. Described as fantastic yet rigorously contained, her work has drawn comparisons to Precisionists like A. G. Rizzoli and Adolf Wolfli.

Louise Despont, ‘Energy Scaffolds and Information Architecture (Return to Formlessness)’, 2015, Tang Teaching Museum and Art Gallery
Save
Save
Share
Share
About the work
Medium
Drawing, Collage or other Work on Paper
Image rights
Courtesy of the artist and Nicelle Beauchene Gallery
Louise Despont
American, b. 1983
Follow

With “a particular interest in cosmologies—esoteric and metaphysical,” as she describes, Louise Despont uses drawing as meditation on the intersection of the intellectual and the spiritual. Using architectural stencils and compasses, she draws intricate, poetic compositions on Raj-era British-Indian graph paper ledgers, chosen for their depth of color and fragility. Her geometric and floral designs in warm-toned graphite and watercolor draw on Indian, ancient Buddhist, and architectural motifs, forming an abstract language of symbols. “The patterns represent internal forms, directional movement, and radiating energies,” Despont explains. Described as fantastic yet rigorously contained, her work has drawn comparisons to Precisionists like A. G. Rizzoli and Adolf Wolfli.

Louise Despont

Energy Scaffolds and Information Architecture (Return to Formlessness), 2015

Colored pencil and graphite on antique ledger book pages
Location
Saratoga Springs
Other works by Louise Despont