Louise Nevelson, ‘Cryptic XXXVI’, 1966, Sotheby's

Property from the Jacqueline Fowler Collection

Signature: incised with the artist's name and date 1966 on the underside

Pace Gallery, New York
Vera G. List, Greenwich, Connecticut (acquired from the above in 1966)
Sotheby's, New York, 12 February 2004, Lot 179
Acquired from the above sale by the present owner

About Louise Nevelson

Louise Nevelson’s room-sized wood sculptures have been hailed as emblematic of many different movements, including Abstract Expressionism, Cubism, and Surrealism. Monochromatic and usually black, with isolated departures into white and gold, Nevelson assembled the sculptures using discarded pieces of wood that she received or found on the street. As part of Nevelson’s massive, commanding works of art, the scrap wood takes on majestic proportions, reflecting the artist’s personal story of dislocation and self-invention. In Mrs. N’s Palace (1964-1977), a 20-foot-wide tomb-like sculpture with a hollow interior, mirrored floor, and artifacts from her life, Nevelson provides a glimpse into her own physical and personal history.

American, 1899-1988, Kiev, Ukraine, based in New York, New York