Louise Nevelson, ‘"Mirror Shadow XXXIX"’, 1987, Scott White Contemporary Art

"Aspects of Collage Assemblage and the Found Object in 20th Century American Art", The Solomon Guggenheim Museum, March 29-May 22, 1988
"Louise Nevelson: Selected Works", The Pace Gallery, NY, March 31-April 29, 1989

The Artist
Pace Gallery, New York, NY (December 1987)
Private Collection, Florida (November 1988)
Arij Gasiunasen Gallery, Palm Beach, FL
Private Collection, USA

About Louise Nevelson

Louise Nevelson’s room-sized wood sculptures have been hailed as emblematic of many different movements, including Abstract Expressionism, Cubism, and Surrealism. Monochromatic and usually black, with isolated departures into white and gold, Nevelson assembled the sculptures using discarded pieces of wood that she received or found on the street. As part of Nevelson’s massive, commanding works of art, the scrap wood takes on majestic proportions, reflecting the artist’s personal story of dislocation and self-invention. In Mrs. N’s Palace (1964-1977), a 20-foot-wide tomb-like sculpture with a hollow interior, mirrored floor, and artifacts from her life, Nevelson provides a glimpse into her own physical and personal history.

American, 1899-1988, Kiev, Ukraine, based in New York, New York